Thursday, 5 May 2016

End of module evaluation

1.  What skills have you developed through this module and how effectively do you think you have applied them?
I think that the most important skill I have developed through this module is the knowledge and understanding of symbolic illustration and the role illustration can play during social and political distress. I havent necessarily developed much practical skills during this module and have been more focused on the context of which symbols of illustration can become more than just an image. Context of Practice has helped me see Illustration from a wider perspective and has shown me how important it can be in society. I have tried to apply what I have learned from this by designing my own symbol of illustration in mask form but having new perspectives of the importance of illustration, I am sure this will come in good use for me during next years COP studies.

2. What approaches to/methods of research have you developed and how have they informed your practical outcomes?
The approach to research has really informed this project and has helped it develop. Reading through books, reading articles and watching videos has really helped me gain more contextual knowledge of the subject matter. I would usually not really spend enough time on the research section of a project but this module has helped me realise that the research can in fact be the most important part. So this will inform my practical outcomes in the future because I will have a willingness to spend more time research to develop a much better understanding of the subject matter.

3. What strengths can you identify in your work and how have/will you capitalise on these?
I think that the identifiable strengths that have shown through this module is the content and conceptual subject that is symbols of illustration. I feel that this has been the project that has really helped me understand illustration more and the effects it can have on society. The subject matter for this project has been the most important part and not the illustrations produced, this is because I have adressed a real life topic that exists within society and can also become something that can actually change or unite the people. Symbols of illustration are more powerful in this world that I could have possibly imagined and addressing this subject and becoming more aware of the power it holds has been the most benefiting and strongest part of this module.

4. What weaknesses can you identify in your work and how will you address these in the future?
I think some obvious weaknesses of this module is that I havent invested as much time as I would have liked to. I could have done further research into symbols of illustration that could have inspired some of my outcomes, I also could have done some more experimental work with media or even get some digital images produced. In ways I think I underestimated this module because it has been stretched over a long time, but knowing what I know now, I think it will approach future studies with an eagerness to dive deeper into the reseat phase to fuel my final images, whilst investing a consistent and balanced amount of time to each modules.

5. Identify five things that you feel will benefit you during next years Context of Practice module?
I think next years COP module will really urge and push me to further research into illustration and how it has the power to change the way people think in society, this will only benefit my practice because it will mean I will be a more knowledgeable illustrator. 
Next years module will also help me when it comes to essay writing and will give me the ability to transmute my thoughts into words more effectively. Essay writing has never been my strongest attribute so it would be beneficial for me to develop those skills.
Cop will also help inform my own practice and practical work by urging me to create illustrations that have can convey a meaning or that addresses some kind of subject matter within society.
Next years Cop will also help me to understand illustration from a wider perspective. Ive always been quite narrow minded about drawing and illustration but I do think Cop has helped me realise that illustration is much more meaningful that I originally thought, or at least in some cases can be.
Next years Cop will make me re-evaluate my own practice and how I consider making illustrations. Cop will give me the chance to speak through my own work, I want my work to have a voice that people can understand and relate to. I think the Context of practice module will help me develop this voice.

Presentation

Essay


Throughout this essay I will be discussing the role that Illustration can have during times of social and political uprisings. I will be focusing on how illustrated symbols can have a deep and meaningful impact that can in many ways have the power to change society. Using examples such as the ‘V for Vendetta’ mask designed by illustrator David Lloyd and the iconic portrait of the infamous revolutionist Che Guevara by Jim Fitzpatrick, I will be discussing how these symbols of illustration can effectively create they’re own subculture and act as a beacon of hope to the public during periods of social and political upheavals.

At a first glance, the pale-faced, smirking character of the infamous Guy Fawkes mask portrayed by the revolutionary fictional anarchist ‘V’ on our cinema screens not only acts as a prop on a film set, but has erupted a wave of young left-wing, internet-obsessed hackers known to the public as Anonymous. They’re minimal branding, focusing solely on the mask gives those who feel (socially) powerless a platform to express their anger and dissatisfaction with the worlds current governmental structures. Printed on t-shirts, slapped on lampposts, worn over faces and wired into the very grain of our internet experience, Anonymous shout to the world “We are Anonymous. We are legion. We do not forgive. We do not forget. Expect us.” They target politicians, worldwide governmental figures, celebrity as a whole and ironically other groups/cults, sometimes religious, most famously they’re ongoing battle with Scientology. Whilst the ‘V for vendetta’ mask is its entire image, a quintessential symbol of the movement, addressing the world from an unknown anonymous source. 

The infamous online organisation known as Anonymous originated from the image board website ‘4Chan’. This website, created in 2003 was a place where people could anonymously upload images,‘gifs’ and memes so that everyone who had an account could see, like and comment. The unique thing about this image board was that there were no rules, no topic and no identity. Images and text with no authorship and control. The individual was not measured. This was where the internet-obsessed formed its alliance and became the globalised hacktivist society we all know and hear about today. Anonymous have caused major problems within the media and some world wide capitalist companies. On April 17-19th 2011 Anonymous caused one of the largest data security breaches in history, they took down the entire sony playstation network that had an estimated cost of 150 million USD. In less than 3 weeks, members of Anonymous made 3.6 million malicious emails, 10 acts of vandalism, 22 bomb threats and 8 death threats to the members of the church of scientology. To some they are seen as terrorists or cyberbullies, Fox news LA says “They call themselves Anonymous, they are just hackers on steroids treating the web like a real life video game’’. But to many people around the world (normal people of the public) they are seen as Liberators/revolutionists fighting for the people with a strong pursuit on ending the governmental corruptions.  

The entire image of Anonymous is solely based around the ‘V for vendetta’ Guy Fawkes mask. Designed by Illustrator David Lloyd in 1988 for his comic book vigilante ‘V’, Later becoming a box-office hit in 2006. The mask itself has been designed around the shape and facial features of Guy Fawkes, but has obviously been stylised in a way that makes the pale and sinister mask almost robotic, this perfectly portrays its purpose and essence of the character and his image. Guy Fawkes as many people know tried to destroy the houses of parliament on November 5th 1604 using barrels of gunpowder. He was caught due to an ‘anonymous’ letter to royalty explaining his plans. He was then listed as a terrorist and was hung. Since the victorian era, children would wear masks in his image on the 5th of November, imitating the story of ‘Bonfire night’s as Fawkes as the villain. However, many people in modern society do not see Fawkes as a terrorist but as a hero and thus the character ‘V’ was born. “Why don't we portray him as a resurrected Guy Fawkes, complete with one of those paper mache masks, in a cape and a conical hat? He'd look really bizarre and it would give Guy Fawkes the image he's deserved all these years. We shouldn't burn the chap every Nov. 5th but celebrate his attempt to blow up Parliament!” This was found in David Lloyds handwritten notes when creating the comic book. Its is quite clear that David Lloyd and many people around the world share this view. “People shouldn't be afraid of their government. Governments should be afraid of their people.” This quote from ‘V’ himself written by Alan more shows that there are people do have the willingness to stand up to higher authorities. The mask itself, being designed around Guy Fawkes is almost a manifestation of these ideas of rebellion and is made into something that is physical and real for the entire wold to see and recognise. The higher the profile of Anonymous, the more the mask is seen and known throughout the world.

The Guy Fawkes mask as a piece of illustration has become much more than what it was originally created for and when designing it, I bet David Lloyd had no idea it would become as popular and meaningful in society as it is today. The mask in effect has created its own subculture and is practically worshiped by many people of our generation. The release of the V for Vendetta movie was the catalyst for this image, because before the film, the mask was unknown outside the world of comic books. The stylised "Guy Fawkes" masks with the pointed moustache and beard, has become increasingly widespread amongst protest groups against politicians, celebrities and financial institutions. The masks conceals the identity and protects the face of individuals that demonstrate a deep commitment to its cause. The hacktivist group Anonymous are to thank for this. The thing that makes the mask so powerful, apart from its simple aesthetics is the fact that it can be easily mass produced and filtered into the public. Therefore anybody can buy it and the mask gains its power not when it is worn by one person, but hundreds or thousands. Anonymous and the mask represent the idea of individualism, but this is ironic because they are all wearing the same mask.  The images and videos of the protest crowds are truly chilling when they are all concealed and connected by wearing the same mask. Anonymous would not be half as powerful or as meaningful if it wasn't for the power of the mask. The mask acts as a symbol or even an entire collective of ideas. It has now become the modern face of revolution, recognised instantly and associated with the ethos and ideologies of Guy Fawkes and the fictional character ‘V’. People may not realise but something as simple as this mask actually can have the power to change society.

Frank Shepard Fairey. The contemporary street artist, graphic designer and illustrator is most famously known for his work during the 2008 U.S presidential election ‘HOPE’ poster. The New Yorker art critic Peter Schjeldahl called the poster "the most efficacious American political illustration since ‘Uncle Sam wants you’”. This piece of illustration has played a very big role in times of political events that have the potential possibilities to change society. The simple illustration of Obamas face using flat bold colours of the american flag captured the eyes and minds of people all across America. It was truly a powerful image. In November 2011 Shepard Fairey revisits his old poster design ‘HOPE’ and modifies it so the V for Vendetta mask is where president Obama’s face initially was. This gave the image of the mask even more power and increased Anonymous’s notoriety as it is clear that many people support their cause. Shepard Fairey named the new version of the poster ‘Final’ as this must be how he sees the relationship between Obama and Anonymous and is also a call out for the president to support the movement of the online hacktivist organisation. Many people would now say that Shepard Fairey has over-done the V for vendetta mask and he has turned it into something generic which has the potential to decrease its essence. When an image has the raw essence that captivate people such as the mask is overused and saturated, people start to loose interest. The subtleness of an image can be just as or if not more powerful than a saturated image.

Another perfect example of how a single piece of illustration can play a huge roll and have powerful effects on the public during times of political upheavals, is none other than the globally iconic Che Guevara portrait by Jim Fitzpatrick, designed in 1968 based on the photograph by Alberto Korda in 1960. This piece of illustration is recognised throughout the world by millions and is almost an emblem of popular ‘Pop’ culture. This image is printed onto a very wide range of material goods, Che’s face is absolutely everywhere. Beers, t-shirts, lighters, wallets and even baby onesies, go to any war protest campaigns or music festivals and people will be wearing the image of Che Guevara in some way. He has become a fashion icon. People who see this image associate it with this idea of revolution and the fight against capitalism. “I am not a liberator, liberators do not exist. The people liberate themselves” “I would rather die standing up than to live life on my knees” These quotes from Che Guevara suggest that he was a man who is willing to fight and die for what he believed in, and this is how he captivated the world. During the time of his revolution, he would have been like a god to the people of Cuba, with his illustrated face as the symbol of hope. In ways this is very similar to the Guy Fawkes mask in which it also has the potential capability to change society and act as a symbol of hope for those who believe in the fighting cause against corruption.

This Image and legacy that Che Guevara and the illustration of his face has left is truly powerful. But this in fact, is an idolised version of his cause. Hollywood and its media have in effect changed the very person he was and turned him into something different. The cult of Che thrives with little to no historical understanding of his life. The truth is Che Guevara could actually be viewed as war mongering, blood thirsty and racist. Che Guevara wrote extensively about the superiority of white Europeans over people of African descent. “The U.S is the great enemy of mankind. Against those hyenas there is no option but extermination. If the nuclear missiles had remained (in Cuba) we would have fired them against the heart of the U.S. including New York City” “The black is indolent and a dreamer; spending his meager wage on frivolity or drink”. These quotes from Che do not suggest that he is any kind of inspirational figure. It sounds similar to words of Kim Jong Un. The democratic dictator of North Korea. Guevara became known as the “Butcher of La Cabana prison” where he personally oversaw the execution of hundreds of people and has implicated in thousands of deaths with reports of Che personally executing prisoners himself by shooting them in the head. But given this true representation of Che Guevara, the people of the capitalist society still seem to worship him. “Im like Che Guevara with bling on” This is a lyric from the famous rapper Jay-Z, even though Che discriminated black people and tried to ban free musical expression such as rock and jazz as he considered it to be ‘imperialist’. So music festivals and war protests who promote the illustrated face of Che Guevara are actually contradicting Che’s entire ethos and belief system of society. Even though Che Guevara’s true identity may be blind to the world, the power of the illustrated portrait still remains. This symbol of illustration has become a beacon for times of social and political distress.

There are many reasons as to why these pieces of illustration have had the power to become much more than a mere image throughout the world. They have evolved into a form of ideas throughout the collective consciousness of society, meaning that these individual images are hardwired into our very brains via each and every persons experience of them. This is another contributing factor as to why they’re as famous as they are. But another reason as to why these single pieces of illustration have such a huge impact is because they are simple and minimalistic by design. The fact that the Che Guevara’s face and the Guy Fawkes mask are simple/uncomplicated designs gives them much more potential to be easily printed onto pieces of clothing, posters and any kind of material object. If these pieces of illustration where highly detailed and over complicated, I'm sure that they would not have the same effect on the world as they do now. Using bold colours made purely from shape, these illustrations are so easily recognisable by the public so each person who sees the shape will instantly recognise it and associate it with all of the social and political connotations that surround the images. Up until now I have seriously underestimated the power of minimal design and how simple symbols of illustration can have great impacts on the world.

In conclusion, I have come to an understanding during the discussion of this essay that symbols of illustration can in fact play huge roles in society during times of political upheavals. Although most people may not even realise it but the iconic, minimalist symbols of illustrations such as the V for vendetta mask and the Che Guevara portrait goes much further than an image that is simply put onto t-shits and posters. They have actively created there very own unique subculture that is heavily supported by millions of people from many regions around the world. These images have now become the face of modern revolution. A simple and effective symbol that people see and immediately associate with political distress. The illustrations have now become a beacon of hope for many individuals who know of the corruption and control that the government enforce on society each day. Those who look upon these symbols are immediately infatuated, this is because they represent more than any person can be. They represent an idea. Ideas cannot be destroyed and they have the power to change society and therefore the world. “Behind this mask there is more than just flesh. Beneath this mask there is an idea... and ideas are bulletproof.” - V.



     
           

Wednesday, 4 May 2016

Mask development

After researching the importance of illustrated symbols and collecting a body of examples, I thought now was the time to start designing my own mask that could be seen as a symbolic icon. I also realise that this mask has to represent an idea so the public could relate to and follow its cause. So I think for my mask design to really have a voice I will include a third eye. The third eye represents higher levels of consciousness and can be seen as a spiritual concept. I am aiming to get this message across with the mask/symbol that I am designing. Spirituality is a peaceful concept and has the power to connect us all. 
 I am aiming to keep the mask relatively simple, I don't want it to be too overcomplicated and I think for this concept a minimal design may in fact hold more meaning. As long as the third eye is an obvious feature of the mask.
Having a mask that only conceals the section of your face around the eyes could be a powerful design. This would mean that the mask is connecting people through unity but also some facial features will be shown. This could be seen as we are all connected through the mask but we still each hold our own individual qualities.
Looking at venician masks and how they only conceal a section of the face has given me some thought on how the final mask is going to look. The three eyes could also be linked into a triangle and then simplified down to make a simple but effective logo that would work well with the mask and its third eye.
Funky/Psychedelic twist on the mask design. The third eye and psychedelics actually have a lot in common. Psychedelic drugs do hold the potential to help activate a persons pineal gland/third eye. So I may include a psychedelic twist onto my mask that could be used as a poster.


I want my mask to look scary and peaceful at the same time. If the mask is scary or slightly creepy looking, it holds potential power to strike fear, especially if there are multiple people wearing that same mask. So this could create a good combination between being scary and spiritual.


This is a sketch of the final mask design. I have chosen to use a full face design because it holds more power to strike fear. I have chosen to base the shape of the mask around the basic form of the human face but with a few modifications. The smile gives it a creepy atmosphere that could also be seen as peaceful. The third is the most important part of the mask because that is where the idea and the meaning is held. The third eye gives the mask its spiritual essence.


Resolved mask

This is a concept drawing I did of multiple people wearing the mask that I have designed. I have done this because the power of the mask comes with unity, when more and more people wear the same mask it shows they have a similar belief system and effectively create its own sub-culture. I have tried to show this idea within this drawing. Its would be pretty intimidating to see people all wearing the same make like in V for Vendetta. I have also tried to draw each person so they are all complete individuals and the only thing that connects them is the mask.  


This is a poster design for the mask. I haven't created a minimal outcome for this because I think the whole idea of brining the third eye into the mask opens the potential to get a little more abstract, and after the persons of note project I have changed my thoughts slightly on how I want to start making my illustrations. So I have included my own psychedelic twist onto the design. This is because the third eye makes it a relatable theme. Plus I think this could work well as a poster because of all the bright colours and patterns that are used. It can have the ability to attract the viewers attention.

Gorillaz

The Gorillaz have a similar way of conveying themselves to the public. But instead of being an illustrated symbol it is done in animation during there music videos. 

I really love some of the Gorillaz songs I listen to them quite often and I also really like the music videos because of the art style. It reminds me of a horror/zombie themed comic book. The characters really represent the style of music and Gorillaz would not be as iconic as they are if it wasn't for the animated characters providing the public with a symbol to the music.

These are some sketches of the character 2-D from Gorillaz. When the characters are put into still images they can be seen as a symbol in the way they represent the music. Especially the black and white block image, this simplified image could at as a strong but simple symbol of the Gorillaz.

Tuesday, 3 May 2016

The Jabbawockeez

The Jabbawockeez are a Hiphop style dance crew. They are actually my favourite dancers of all time. They have almost revolutionised group dancing with there unparalleled synchronisation. When watching them they can actually look like robots, this is because of the fluidity of there dance moves but also the mask that they wear. The mask gives them a united identity that increases there performance as a team/dance crew.
Again, everyone who knows of the dance crew The Jabbackockeez, they instantly associate them with the mask. The mask has a very minimal design and looks very robotic. The pale face creates a creepy vibe that makes there identity elevated to a symbol. 

This is an illustrated version of the jabbawock mask and iconic bucket hat. When simplified into vectors this mask can create the potential to also be an effective logo. This could be printed onto posers or can be worn on t-shirts and for illustration. To have an impact on society during political revolution, simple logos and symbols can be some of the most effective ways of uniting the public. providing a visualised beacon.

I really like the bucket hat over the mask it gives an even deeper sense of a hidden identity. I may do some designs of people wearing the mask I have designed but also wearing a bucket hat over the top. It also makes it more relatable to modern society and fashion trends.

Cas is dead

I am not Particularly a fan of Cas is dead's music but he still holds the power of the mask. He has never publicly revealed his face so none of his fans know what he looks like. I read an article that said he might be a primary school teacher and because his lyrics and videos are so violent he has to hide his identity. 

Although the music isn't my taste I think the mask he wears is pretty interesting. The skeletal shape gives a dark and sinister presence that is echoed through his lyrics. For my mask to have an impact I think it needs to look a little bit freaky or sinister. It can be more effective if the mask can can project a small amount of fear.


MF Doom

Metal Face Doom (MF Doom) is a Hiphop recording artist and rapper from New York. I have decided to look at Doom and his mask because just like the V for Vendetta mask, MF Doom uses the famous Marvel character Dr Dooms mask to provide his name with almost an alter ego and an easily recognisable symbol. Anyone who knows MF Doom will always relate him to the mask. So in a way, V and Doom are similar in a sense that they both use the mask to become a symbol. Im aiming to create a similar themed symbol of illustration.

MF Doom is loyal to the mask and basically never takes it off. Without the mask, he has lost his entire identity, infact I imagine that most of his fans would not even know what he actually looks like. This proves that by creating a symbol that you can wear and represent, basically creates an alter ego that is an idea that the public can cling onto and follow.

This was a simplified version of his mask that I found. I think It works well how its just in its basic shapes but it is still easily recognisable. This could make an simple but effective logo that still portrays Doom.

These are some sketches I have done of MF doom. I like the gladiator style of the mask, it really speaks a lot about his persona as a rapper. I may look further into gladiator masks when creating my own.
I decided to try and make the Doom mask in my own style. It is a very monochrome mask so I thought it would be good to see how it looked with abit of colour. I was quite pleased with the outcome, I like how the drip marks and the bold black lines make it pop out, I think this would work well as a sticker or poster design. I also think it could be simplified down maybe sticking to a smaller colour pallet or reducing the black rendered lines down. I may try and create my own mask in this style aswel to give it a psychedelic twist.

Plan of action




To begin to visually respond to my investigation I must first look at other example as to when masks and symbols that have had a similar impact and elevate the wearer/s to a recognisable profile.
- MF Doom
- Gorillaz
- Cas is dead
- The Jabbawockeez 
These are some people I have decided to further investigate to aid my pursuit on creating my own illustrated mask/symbol.
I could also find another iconic revolutionist and try to design a mask around the basic forms of his/her face. like David Lloyd designed V from Guy Fawkes.
The mask or symbol could also be printed onto a t-shit or printed as a poster.

Visual journal research - V for Vendetta

My essay and majority of my 'Context of practice' studies have primarily been focused on the concept of symbols of illustration. Symbols of illustration can impact the world in more ways than I originally thought, they hold the potential to speak to the public in many ways, giving them a visual representation of an idea or movement. The V for Vendetta mask is almost a perfect example of this idea of an illustrated symbol. Throughout this visual journal I will intend to try designing my own illustrated political symbol that could be seen in a similar way to the V for Vendetta mask or the Che Guevara logo.

This is the V for Vendetta logo. The mask is the most important part of there movement but sometimes a simple design can also convey a lot of meaning so I may intend to create a simple logo or emblem to represent revolution.

Image from the V for Vendetta film. V in his prime. After studying him closer as a character he has now become one of my favourite fictional characters. He is portrayed perfectly in the film as he is in the comic series.

This is when the mask becomes something more than just a mask. When people are united and all wearing the same mask (due to Anonymous) this is when the mask is turned into a symbol and therefore a beacon to the public. Something they can follow and relate to. Also the whole concept of the mask is to make the wearer anonymous, and with a hidden identity people are much more likely to join and fight for a cause they believe in. As shown in this Anonymous protest.

Che Guevara is probably the most iconic symbol of illustration that holds the idea of a political revolution. It has been printed onto countless pieces of clothing and merchandise. It is almost seen as a cliche now it has gotten so popular, but it still holds an idea that people automatically relate to.




This is a response sketch of V and Che. I have drawn V wearing a Che Guevara t-shirt. This was just kind of a parody drawing as they are both revolutionists but one is a fictional character. I just thought it would be funny to somehow show them both in one image.